node#2; Michael Mieskes, 25. — 27. Mai 2018

By contrast, in the digital or, more generally, the computer ¬generated image there is no longer any negative, no longer anything 'deferred'. In that image, nothing dies, nothing disap¬pears. The image is merely the product of an instruction and a programme, aggravated by automatic dissemination from one medium to the other: computer, mobile phone, television, screen, etc. - the automaticity of the network matching the automaticity of the construction of the image. Should we, then, rescue absence and emptiness, should we rescue this nothingness at the heart of the image?

Jean Baudrillard - The Intelligence of Evil

fork, Michael Mieskes 2018

Michael Mieskes
fork, 2018
Holz
81×12×12 cm

langloch, Michael Mieskes 2018

Michael Mieskes
langloch, 2018
Ureol
160×28×14 cm

torso, Michael Mieskes 2018

Michael Mieskes
torso, 2018
Ureol
62×39×21 cm

textured object (5), Michael Mieskes 2018

Michael Mieskes
textured object (5), 2018
Plaster
62×37×5 cm

ovoid, Michael Mieskes 2018

Michael Mieskes
ovoid, 2018
Ureol, Farbe
35×20×5 cm

guttae, Michael Mieskes 2018

Michael Mieskes
guttae, 2018
Glas
6,5×4,5×4,5 cm (jedes)

draft (2), Michael Mieskes 2018

Michael Mieskes
draft (2), 2018
53,5×19,5×11 cm

draft (4), Michael Mieskes 2018

Michael Mieskes
draft (4), 2018
53,5×19,5×11 cm

untitled 2, Michael Mieskes 2018

Michael Mieskes
untitled 2, 2018
230×13×13 cm

untitled, Michael Mieskes 2018

Michael Mieskes
untitled, 2018
Limestone
37,5×20×8 cm